Sunday, March 15, 2009

Sacred Art

In ancient times, only the socially privileged, highly educated, or specially trained knew how to read. In ancient Egyptian and American societies, among others, writing forms were based on pictures that evolved to carry certain meanings. Art, especially in sacred settings, was used to convey messages to the illiterate. It was rich in symbolism, scripturally and doctrinally accurate, and naturally inspiring.


(In fact, many of this world's artistic masterpieces are inspired by religious themes. Some nations focused entirely on sacred art for many generations. Only in more recent history have secular pieces become historically significant and respected.)

That said, I have to admit, at the risk of sounding like an art snob, that I much prefer religious art that depicts actual events or prophecy from holy writ. I'm not as concerned about things religious figures might have done, could be imagined to have done, might possibly be doing now, or could potentially do.

To me, these imaginative forms of sacred art are similar to "quoted" statements from scripture, such as the Savior's reportedly teaching, "I never said it would be easy, I only said it would be worth it." While this statement does not necessarily contradict the Savior's teachings, and while it is possible the Savior actually taught this principle, these words are not contained in any revelation of which I am aware. And yet, they are some of the Savior's most oft-cited words by members of my faith.

There is another intrinsic problem with both invented religious art and imagined sacred citations: while they might be a reflection of the creativity of their authors, to the scripturally illiterate--whether by choice, inexperience, or incapacity--representing imagined situations as real or accurate can be deceptive, misleading, and the source of, for lack of a better term, our religious urban legends.

Furthermore, people will accept, remember, and believe what they see. The human mind is a powerful tool with a great capacity to recall words and images. Once an erroneous piece of information enters our mind, not only must we learn the truth when we encounter it, but we must also forget the wrong information we once learned.

Allow me to illustrate with a couple acute examples. First, this week's Church bulletin had a pencil drawing of the Savior tossing a child above Him in the air. While the image does not contradict the Savior's teachings, it also has no reference to an actual occurrence in the Scriptures.

Second, while the Scriptures teach Christ was baptized by immersion, I have seen art depicting John the Baptist and Christ in the river Jordan with John baptizing Christ by aspersion. I encountered this art as a missionary while attempting to teach about baptism by immersion and following Christ's example, and, needless to say, it had a detrimental effect on my teaching efforts.

Moreover, people have a hard enough time getting the facts straight in so many instances of Scriptural reporting. With different accounts recording slightly different information, the questions surrounding certain stories are understandable and justified. This is even more reason for artists who choose to represent sacred scenes to pay special attention to what they're producing.

This same principle has implications in music that teaches incorrect principles, or anything that does, for that matter.

What are your thoughts?

Wednesday, March 4, 2009

Fous au volant

A couple weeks ago, I was crossing a busy intersection on my daily route to school. As I was a few minutes late, I looked both ways and began running across the street. I didn't have the right-of-way, but the intersection was clear in the directions of traffic as far away as I could see and our turn to cross the street was next. What's more, another student was just a few steps ahead of me.

As I was almost across the street, a car crested the hill opposite the intersection from where I was crossing at a speed greatly exceeding the steeet's residential speed limit. Floating lightly on its suspension, the car cruised through the intersection, swerving to avoid me. The driver angrily laid on the horn as the light changed in the intersection.

As I reflect on the experience, I realize how close I came to suffering serious bodily injury or death. I recently married, and I couldn't help but think about the heartache such an accident would have caused my dear wife. Should I have run into the road without the right-of-way? In retrospect, it seems more than just foolish or even reckless. But another question has occupied my attention even more the last few weeks:

What's up with the dangerous combination of absent-minded pedestrians and angry drivers in Provo?

I am convinced that Provo has the worst drivers and the most thoughtless pedestrians of any city in America. Pedestrians all over the city cross the street without looking either way. A couple days ago, a girl used a crosswalk at an intersection I was driving through. Staring at her iPod, with her headphones in, she sauntered into the street, ignorant she didn't have the right-of-way. What was she thinking? Cars slowed for her, but she's lucky she didn't get hit. At least in my case I had looked both ways before crossing the street and tried to determine it was safe to do so. This girl didn't even acknowledge the existence of the cars in the street she was crossing.

I'm not sure what causes such absent-mindedness in a city so full of college students. My university is a respectable school with a difficult application and admissions process; how is it we have such a high concentration of thoughtless, selfish individuals?

Before you judge me too judgmental, let me expound. I am of the belief that, despite everything we've been taught and the fact that we should know better, students at this university are essentially selfish individuals. This explains apathy to common-sense safety practices, like looking before crossing a street, as well as the reason my neighbors think it's okay, in their perceived haste, to occupy two spaces in our apartment complex's crowded parking lot. I guess staying between the lines is too much to ask.

Thoughtless interaction between pedestrians and drivers is only exacerbated by police attitudes toward j-walking. In a recent report in my university's newspaper, the local police department was quoted as saying its officers are more prone to ticket drivers not stopping for pedestrians, even when they aren't using crosswalks, than they are to ticket pedestrians for j-walking.

This "carte blanche" the police department has effectively granted pedestrians might be to blame for such deplorable public behavior as crossing (at a crosswalk or otherwise) a street without looking, but what explains other inexcusable lacks of driver etiquette, like never letting anyone in, crossing into the right-hand lane when turning left, turning left well after the arrow has expired, and the ever-unsafe "I'm-letting-you-turn" maneuver? What about all the other directions and lanes of traffic, are they all letting you in?

Has anyone else experienced this, or do I just expect too much from the drivers around me?